Cinematic vintage paper diorama, aged sepia newsprint world, monochrome halftone print, monochrome archival cutout figures with black censor bars over their eyes, single burnt-orange accent, distressed letterpress, warm tungsten light, macro tilt-shift shallow depth of field, film grain, handcrafted stop-motion paper feel, non-photorealistic, no live-action, 9:16 framing. SCENE: [0:00-0:01] A murky sepia paper ocean floor fills the tall vertical frame, constructed from crumpled aged newsprint layered in undulating waves, lit by dim tungsten light from above — a single marionette string descends from the top of frame, taut, attached to a small paper lobster figure resting on the ocean floor. [0:01-0:02] The paper lobster begins to stir, its jointed cardboard claws unfolding with a stop-motion paper crackle, the marionette string pulling it slightly upright — halftone wave textures ripple behind it. [0:02-0:03] A second, larger paper lobster slides in from the right edge, towering over the first — its posture is fully upright, claws spread wide, casting a long shadow across the newsprint seabed. The small lobster curls downward, the marionette string going slack. [0:03-0:04] A burnt-orange letterpress card drops into frame reading "STAND" — it lands with a paper slam against the ocean floor, sending tiny paper debris scattering. The impact creates a shockwave ripple through the newsprint layers. [0:04-0:05] Camera holds on the small curled lobster beneath the slack string as the larger lobster's shadow dominates the frame, the burnt-orange card glowing under tungsten light. Camera: Slow push-in from wide establishing shot to medium close-up on the small lobster, drifting slightly right to frame the confrontation.