Photograph taken square from directly above. A kraft pouch lies face up and half-settled into a dense bed of whole walnuts in shell, piled deep and filling the frame edge to edge, running past all four edges, dark in the gaps between the pieces and falling to near-black at the corners, the ingredient overlapping the pack's edges. Soft broad light from above catches a wet highlight on every piece. The pack carries a photographic image reduced to two warm inks — ochre and rust — inside a torn or hard-angled frame, slab caps above it, the whole thing on a warm dark ground: a bird mid-flap as the motif, stretched around the curve of the vessel, the name Chomp Works, and a net weight and a volume in small caps. Every colour on the pack is flat with a hard edge and the lettering is one flat colour. Its ground is pale and deep teal is its one spot colour. Heavy film grain over the whole frame, coarse enough to read in the flat label areas. Soft on the ingredient, hard at the pack's printed edges. The ingredient's dark mass, the pack's pale ground and the one spot colour. Abundant and slightly grubby — a real harvest rather than a styled one.