Photograph from slightly above the vessels and a few degrees off square. One fully saturated violet fills the frame as both wall and floor, matte and seamless, the horizon line between them clearly visible across the upper third. Four flat-bottom gusset pouches, two standing and two laid sit on the floor together, at least one standing upright and at least one lying on its side with its closure facing the lens, overlapping slightly and offset right of centre. One hard source high to one side throws a crisp dark cast shadow to the opposite side and models the floor. Every pack carries the name stacked in ultra-heavy caps in two colours, with a vertical sidebar repeating it down one side: a snake coiled around the name as the motif, ultra-heavy caps stacked in two colours, the name GLOTÓN, and a dense four-line ingredients run and a batch code stamped off-register — printed on a ground inside the frame's own hue family so the design reads by value and by the black type alone, with one white panel. Matte paper label on the pack, and where the pack is glass the contents read through it, textured. Hard at the shadow edge and at every printed edge, soft on the glass. violet across the whole frame at full strength. Confident and graphic — a poster that happens to be a photograph.