Photograph from above, six to eight identical tins lying on their sides and arranged on a repeating diagonal grid running from lower left to upper right, cropped by every edge and overlapping at them, floating just off one flat violet that is completely even and unbroken with a small hard shadow under each tin. Flat even light with one consistent hard shadow direction across all of them, the ribbed metal lid ends left as raw bright metal and catching a highlight. The range carries two or three different styles across it so the grid reads as a shelf rather than one repeated pack, the dominant one the name in enormous caps running straight off both edges of the wrap, plus a separate small flavour ticket in a contrasting colour angled across one corner with a checkerboard rule running through the name as the motif, condensed monospaced caps stretched around the curve of the tin, the name RUDE LITTLE THING, and a dense four-line ingredients run and a percentage claim in a box. Printed paper wrap on metal. Hard everywhere. The flat ground and lemon on emerald, coral on slate, white on crimson and teal on apricot across the range, every pair saturated and distinct. Systematic and bright — a range chart.