A lettering-studio poster built from one clean studio photograph running to all four edges: one adult in heavy eyeglass frames, chin lifted against a seamless mid-grey backdrop, soft frontal light, the eyes looking off to the side. Over the whole sheet, one enormous unbroken single-stroke line of flat fluoro green lettering at even width, the letters abstracted until they read as ornament before they read as a word, the terminals curling into squared loops and arrow tips, the line running off all four edges and weaving in front of the face in some places and behind the jaw and shoulder in others. At the very foot, one tiny centred lockup: HARBOUR SWITCHBOARD in small caps with the letterspacing opened to twice the letter width, and a two-word discipline beneath it at half the size. The photograph soft, every edge of the fluoro green line hard.