Landscape photograph, very tight, the bottles cropped at top and bottom and filling the frame edge to edge against a ground blown to clean bright white as one unbroken field. Three of the same bottle stand touching, in pale gold, orange-pink, near-black as the three contents, each reading as a bright column behind the glass. Broad bright frontal light catches beads of condensation across the whole glass surface. Each bottle carries four or five overlapping die-cut stickers at different angles over a base label in a wavy die-cut label flooded in fluoro green or fluoro red, crude low-resolution pixel-outline drawings in black across it, the legal copy running around the die-cut edge and following its curve — the name in the manner of Chomp Works in a chunky seventies script on the largest, a mountain drawn in one line and a speech bubble on the others, stretched around the curve of the vessel, and a percentage claim in a box — and the sticker set changes per bottle, pale blue, green and yellow, coral and pink, so the three read as three brands. Every colour on the pack is flat with a hard edge and the lettering is one flat colour. Cold wet glass, matte sticker stock. Hard at every sticker edge, soft on the condensation. White, three contents colours, three sticker colourways, the clusters at different heights so they read as a scatter. Loud, cheap and cheerful — deliberately over-stickered.