Landscape photograph, very tight, the bottles cropped at top and bottom and filling the frame edge to edge against a ground blown to clean bright white as one unbroken field. Three of the same bottle stand touching, in amber, lime, deep purple as the three contents, each reading as a bright column behind the glass. Broad bright frontal light catches beads of condensation across the whole glass surface. Each bottle carries four or five overlapping die-cut stickers at different angles over a base label in heavy display lettering filled with a dense glitter or metallic-fleck texture, set very tight on one flat saturated colour, small technical copy ranged below — the name in the manner of Rude Thing in a chunky seventies script on the largest, a bird mid-flap and a speech bubble on the others, the accent hue on black, and an organic or certification mark — and the sticker set changes per bottle, coral, sky and white, chartreuse and black, so the three read as three brands. Every colour on the pack is flat with a hard edge and the lettering is one flat colour. Cold wet glass, matte sticker stock. Hard at every sticker edge, soft on the condensation. White, three contents colours, three sticker colourways, the clusters at different heights so they read as a scatter. Loud, cheap and cheerful — deliberately over-stickered.