High-angle studio photograph looking down on a striking woman with freckled olive skin and two heavy plaited ropes of hair, curled forward with the forehead down on the knees and both arms wrapped round them, on emerald ground — an infinity seamless running unbroken from floor to wall, filling everything behind her and darkening toward one corner while staying the same hue. Three separated points around her are magenta, each one a different material, so the second hue circulates around the frame. One large soft source near the lens, broad rolling highlights on leather and patent, a short soft floor shadow. One thin dark line at the lash root and the rest left soft, pores held sharp. Every boundary airbrushed out into clean skin. Two saturated hues and skin. Deadpan and faintly comic, looking up at the lens composed and slightly awkward.