First-person cinematic perspective, ultra-realistic 1980s American spy thriller, photographed like a real film still. In the foreground, my gloved hands hold a LW3 sniper rifle, detailed metal, realistic scope glass reflecting cold mountain light. Natural proportions, authentic materials. I sit on a rocky snowy ledge in the Altai region, USSR, 1983. Beside me, my CIA partner wearing U.S. Army camouflage uniform and a standard American military body armor vest, watches silently. Subtle, natural body language. Below us stands a massive secret Soviet military complex built into the mountainside, heavy brutalist concrete structures embedded in rock. On the roof, a large satellite communication dish dominates the skyline, surrounded by smaller antennas. Endless mountain ridges and dense forests fade into atmospheric haze. Light wind moves snow across the ridge. Epic wide-angle composition with strong depth and scale. Cold blue-gray winter color grading, natural sunlight, long shadows, realistic contrast. Shot like a real photograph from a $200M Cold War espionage blockbuster — no game UI, no stylization, no CGI look — pure photorealism.