Edward Hopper inspired cinematic oil painting of the global debt system endlessly rolling over itself, a vast dimly lit institutional machine composed of overlapping financial layers where old loans dissolve into new ones like shifting architecture, IMF corridors, credit rating towers, and anonymous investor silhouettes forming a continuous loop around a central rotating structure of government bonds and debt contracts, visual metaphor of refinancing cycles shown as circular motion of glowing documents being exchanged, reissued, and revalued in an infinite system, faint traces of past crises fading into the background while the same financial mechanisms reappear under different names, warm sunset light cutting through deep structural shadows, melancholic yet mechanical atmosphere, muted blue, gold, and gray tones, realistic oil paint texture, subtle surrealism, 1940s American realism style blended with modern macro-financial abstraction, cinematic composition, ultra detailed, documentary cover art, visual metaphor for debt as a perpetual rollover system designed to be continuously renewed rather than fully repaid, 16:9