Contemporary editorial illustration built as a collage of rendered three-dimensional elements and photographic cut-outs, layered flat and frontally with hard cut edges, fine scan lines running across the whole picture. A three-quarter view from the knees up, filling the frame height. A round-faced woman with a short neck, blowing the dust off a stack of plates, set among sun-warmed boulders in ochre and rust and pressed botanical specimens, the frame packed with small elements scattered into every gap. Four layers back to front: flat dusty rose, then a broad mass of stacked material filling the lower half, then the figure, then a fine top pass of cut-out fragments and interference. A saturated cool ground of petrol teal and deep sea blue carries hot clashing accents of orange, scarlet, chrome yellow and magenta drawn from pine, salmon and chalk with deep violet as an accent, with white cloud the only neutral in the frame. Dreamlike and slightly dislocated.