A coarse risograph print in sodium orange, deep violet, acid lime and cream on a deep blue-black ground taking about a third of the frame, every tone built from a dense fierce stochastic noise that runs edge to edge with the dots packed tight and touching right across the frame. One colour becomes the next through a broad field of shifting dither density, shape edges break into ragged noise rather than cutting clean, the lightest value is a printed light rather than the paper stock, and tiny bright specks scatter through the dark like stars. A mountain rising to a flat summit, centred and near-symmetrical, with a doorway cut into the rock face embedded inside it, flowing parallel contour lines raking through the foreground terrain, and one small dark figure seen in outline, standing completely still and dwarfed by it. Four layers back to front: the blue-black field, the broad dithered mass of the monument, the surreal element inside it, then a fine top pass of raking lines and bright specks. The print runs to all four edges. Visionary and reverent with a faint eeriness.