"A cinematic image in 16:9 aspect ratio. A city intersection at dusk or early evening. The traffic light has just turned green. A car is beginning to pull away from the light — caught in the precise moment of departure, still close enough that a face is visible through the rear passenger window, already far enough that the moment is ending. The face in the departing car window is the absolute emotional center of the image. Seen through slightly rain-streaked or slightly fogged glass — a soft, natural imperfection that adds distance and dream-like quality. The face is turned slightly, looking back — not deliberately, just the natural position of someone who happened to glance in that direction. Their expression is completely neutral and completely human. Not sad. Not smiling. Just — present. Alive. A person with an entire world inside them, visible for exactly three more seconds before they are gone forever. The glass of the car window catches the reflection of traffic lights and streetlamps — soft red and amber light refracting across the surface, partially obscuring the face while making it more emotionally present somehow. The face exists behind layers — glass, reflection, distance, rain — suggesting something true about how we see strangers. Always partially. Always through something. In the foreground, slightly out of focus, the edge of another car or a shoulder — suggesting the presence of the viewer, the person being left behind at the light. Their perspective is our p