A basement gig poster flooded edge to edge in pale coral, everything on it a heavily distressed near-black: a fine speckle of the dark ink scattered over the whole flood, one long hairline crack running through a letter, the edge of every shape chewed where the ink broke up. Three lines of woodtype gothic caps with slightly bowed chipped stems at enormous size stacked one under the next reading HEVVY HOUR, each line set past the point of collision so the letters overlap their neighbours and the outer letters crop off the left and right edges of the sheet. One hare's head in profile with its ears crossing the type pushing in from the right edge and filling the middle band, rendered as a coarse halftone so its coat and whiskers read as separate dots and lines, its whiskers crossing in front of the letters. A presenting line reversed out of a solid dark bar hard against the top edge, a pale coral knockout box in the middle right carrying four lines at three different weights giving an EP title and a release date, and a date and a venue in caps across the bottom. One pale ink, one dark ink, every edge hard and broken.