A 1983 video sleeve on one deep violet field running to all four edges, lit brightest behind the object and falling away into a burnt vignette at all four corners, shot on transparency and reproduced on cheap stock with a fine dye grain over the whole frame: a wide vase holding cut flowers standing dead centre in the lower two-thirds, lit hard from behind so its body goes almost black while its rim and shoulders catch a bright edge of the field's hue, with one flat open eye in acid yellow laid inside it at its centre. Across its upper body, a two-sentence tagline in a acid yellow transitional serif in proper case with full stops reading Soft Hours. Long Weather., and directly beneath that two lines of fat acid yellow caps stacked with the leading closed right up so the pair reads as one rectangle of ink, centred, the second line the wider, reading THE SECOND SITTING. Under them a certificate box in acid yellow rule: one large rating letter in its own cell, three lines of legal caps in the cell beside it, a small engraved emblem floating between them. One field hue and one ink, soft photograph, hard flat type.