A 1983 video sleeve on one deep azure field running to all four edges, lit brightest behind the object and falling away into a burnt vignette at all four corners, shot on transparency and reproduced on cheap stock with a fine dye grain over the whole frame: one obsolete object — a rotary telephone, a typewriter, a cassette deck — rendered in tight airbrushed detail with four-point star glints on its highlights standing dead centre in the lower two-thirds, lit hard from behind so its body goes almost black while its rim and shoulders catch a bright edge of the field hue, with one flat ringing bell laid inside it at its centre in the hot ink. Across its upper body a two-sentence tagline in a transitional serif in proper case with full stops, and directly beneath that fat swelling strokes with ball terminals and tight hand-drawn spacing, several lines at different sizes stacked hard against each other set in a heavy grotesk logotype cut through by one hard horizontal band, the lower half of every letter shifted sideways along the cut in the hot ink and a presenting line — *presents*, *w/ friends*, *special collection drop*, centred. Under them Friday 14 March, doors 8pm, 42 Hoxton Street N1 6LP. One field hue and one ink, soft photograph, hard flat type.